The Gothic Quarter (also known as Barri Gòtic in Catalan) is a historic neighborhood located in the center of Barcelona, Spain. It is one of the city’s most popular tourist destinations, known for its narrow, winding streets, medieval buildings, and historical monuments. The neighborhood is located just to the east of Plaça Catalunya, and covers an area of approximately 1 square kilometer.

The Gothic Quarter is a well-preserved example of medieval architecture, with many buildings dating back to the 13th and 14th centuries. Some of the most notable monuments in the neighborhood include the Cathedral of Santa Eulàlia, the church of Santa Maria del Pi, and the Plaça del Rei, which houses the Royal Palace of the Gothic Quarter.

In addition to its historical significance, the Gothic Quarter is also known for its vibrant cultural scene, with numerous art galleries, boutiques, restaurants, and bars located throughout the neighborhood. Whether you’re interested in exploring the city’s history and architecture, or simply want to experience its lively atmosphere, the Gothic Quarter is a must-visit destination for anyone visiting Barcelona.

Pubs at Gothic Quarter

The Gothic Quarter in Barcelona, Spain, is known for its historic architecture, charming streets, and vibrant nightlife, and there are many bars and pubs located within the neighborhood. Here is a list of some of the most popular places to grab a drink in the Gothic Quarter:

1. O’Connell’s Irish Pub – an authentic Irish pub that offers a lively atmosphere, live music, and a wide selection of beers and spirits.
2. Boadas Cocktail Bar – a historic bar that claims to be the first cocktail bar in Barcelona and is known for its classic cocktails and elegant atmosphere.
3. The George Payne – an Irish pub that offers a cozy atmosphere, live music, and a wide selection of beers and spirits.
4. Bar Marsella – a historic bar that dates back to 1820 and is known for its traditional Spanish cocktails, such as absinthe and vermouth.
5. El Xampanyet – a casual bar that specializes in cava, a type of Spanish sparkling wine, and offers a laid-back atmosphere and small plates of traditional Spanish food.
6. El Sortidor – a bar that offers a selection of craft beers, cocktails, and a laid-back atmosphere.

These are just a few examples of the many bars and pubs located in the Gothic Quarter in Barcelona. Whether you’re looking for a lively night out, a cozy place to relax with a drink, or a taste of traditional Spanish drinks, the Gothic Quarter has something for everyone.

Plaça Catalunya is a square located in the center of Barcelona, Spain. It is considered one of the city’s main public spaces and a transportation hub, as it is a stop for several bus and metro lines. Plaça Catalunya is surrounded by shops, cafes, and attractions such as the Gothic Quarter, La Rambla, and the Passeig de Gracia. The square is also a popular gathering place for locals and tourists alike, and is often the site of public events and protests.

Plaça Catalunya is a square located in the center of Barcelona, Spain, and is a popular tourist destination. It is known for its large number of pigeons that gather in the square, making it a common sight for visitors. People often come to feed the pigeons and watch them interact with each other. While the pigeons can be a charming addition to the square, they can also be considered a nuisance by some, as they can create messes and disrupt the public space.

Plaça Catalunya is a central square in Barcelona, Spain, and is a popular gathering place for locals and tourists alike. Throughout the year, various festivals and events are held in the square, ranging from cultural festivals, to political rallies, to seasonal celebrations. Some of the most popular festivals held at Plaça Catalunya include La Mercè, Barcelona’s main festival celebrating the city’s patron saint, and the Barcelona Festival, which showcases the best in local and international music, dance, and theater. These events draw large crowds and provide a lively atmosphere in the heart of the city.

How arrive at Plaça Catalunya

There are several ways to arrive at Plaça Catalunya in Barcelona, Spain:

1. By Metro: Plaça Catalunya is served by several metro lines, including L1 (Red Line) and L3 (Green Line). The station “Plaça Catalunya” is located at the northern end of the square and provides easy access to the surrounding areas of the city.
2. By Bus: Several local and regional buses stop at Plaça Catalunya, including the Aerobús, which provides direct service to and from Barcelona’s airport.
3. By Train: The square is also located near the Sants train station, which provides access to regional and national trains.
4. By Foot: Plaça Catalunya is located in the heart of the city, and is easily accessible on foot from many surrounding neighborhoods and tourist attractions.

Regardless of the mode of transportation, Plaça Catalunya is well-connected and easy to reach.

Monuments near Plaça Catalunya in Barcelona

There are several notable monuments and tourist attractions located near Plaça Catalunya in Barcelona, Spain:

1. La Rambla: La Rambla is a bustling boulevard that runs through the heart of the city, and is located just a few minutes’ walk from Plaça Catalunya.
2. Casa Batlló: Casa Batlló is a modernist building designed by the famous architect Antoni Gaudí, and is located just a few blocks from the square.
3. Palau de la Música Catalana: This concert hall is a prime example of Catalan modernist architecture and is located just a few minutes’ walk from Plaça Catalunya.
4. Gothic Quarter: The Gothic Quarter is a historic neighborhood located just to the east of Plaça Catalunya, and is known for its narrow streets, medieval buildings, and historical monuments.
5. Picasso Museum: The Picasso Museum is a major art museum located in the Gothic Quarter, and is dedicated to the work of the famous Spanish painter Pablo Picasso.

These monuments and attractions, along with Plaça Catalunya itself, are some of the most popular tourist destinations in Barcelona, and offer a wealth of cultural and historical experiences for visitors.

Shopping

Plaça Catalunya is a central square located in the heart of Barcelona, Spain, and is one of the city’s main shopping destinations. The square is surrounded by several large department stores, including El Corte Inglés and FNAC, as well as numerous smaller shops and boutiques that offer a wide range of products, from clothing and accessories, to electronics and gifts.

In addition to its retail offerings, Plaça Catalunya is also home to several shopping centers, including the Arenas de Barcelona shopping center, which is housed in a restored bullring and offers a range of shops, restaurants, and leisure facilities.

Whether you’re looking for high-end fashion, souvenirs, or just want to browse the latest trends, Plaça Catalunya is a great place to start your shopping adventure in Barcelona. With its central location and well-connected transportation links, it’s easy to reach from anywhere in the city.

There are many shops and stores located in and around Plaça Catalunya in Barcelona, Spain. Here is a list of some of the most well-known retail locations:

1. El Corte Inglés – a large department store that offers a wide range of products, from clothing and accessories, to electronics and home goods.
2. FNAC – a French electronics and media retailer that sells books, music, movies, video games, and more.
3. Zara – a fast-fashion retailer that offers trendy clothing and accessories for men, women, and children.
4. H&M – a popular fashion retailer that offers stylish clothing and accessories at affordable prices.
5. Mango – a Spanish clothing and accessories retailer that specializes in fashion-forward styles for women.
6. Pull & Bear – a fast-fashion retailer that offers trend-driven clothing and accessories for men and women.
7. Bershka – a youth-oriented fashion retailer that offers clothing and accessories for men and women.

These are just a few examples of the many shops and stores located in and around Plaça Catalunya in Barcelona. Whether you’re looking for high-end fashion or more affordable styles, there’s something for everyone in this popular shopping destination.

https://ca.wikipedia.org/wiki/Pla%C3%A7a_de_Catalunya_(Barcelona)

La Pedrera is Good and beautiful museum and building. You got a real perspective of living in the house and you learn about gaudi.

Barcelona 1900

In the year 1900, Passeig de Gràcia was the most important avenue in Barcelona. It was here that iconic buildings began to spring up, and the finest theatres and cinemas, and the most exclusive shops, restaurants and cafés opened.

It was also the boulevard on which the wealthiest and most ambitious members of the bourgeoisie decided to build their homes, vying with each other in a bold and exhibitionist manner by commissioning the most eminent architects of the day to undertake their projects.

A home for Pere Milà and Roser Segimon

In 1905, Pere Milà and Roser Segimon married. Attracted by the fame of Passeig de Gràcia, they purchased a detached house with garden situated on a plot measuring 1,835 square metres and they commissioned the architect Antoni Gaudi to build their new property. The main floor of this new building, Casa Mila, was to be their home and they would rent out the other apartments.

The construction (1906-1912)

There was considerable interest in the construction of Casa Mila and various reports about it were published, such as the piece in L’Edificació Moderna, magazine, the publication of the construction employers’ association.

The article stated that Gaudi was determined to meet the needs of modern life “without the nature of the materials or their resistance being an obstacle that limits his freedom of action”, and it described the structure of columns as an innovation that would result in large and well-lit spaces.

The construction of the building was complex and was fraught with financial and legal problems. Nor was it free from controversy. Gaudi kept changing his projects to shape the appearance the structures of the building as the work advanced. He went well over the expected budget and did not abide by the City Council’s building codes: the built volume was illegal; the attic and the rooftop exceeded the permitted maximums; and one of the pillars of the façade occupied part of the pavement on Passeig de Gràcia.

When Gaudi discovered that an inspector had been by to alert the builder, Mr. Bayó, to these illegalities, he left very precise instructions. If the inspector came back and the column had to be cut, Gaudi would have a plaque put up, stating “the section of column that is missing was cut at the order of the City Council”.

In the end, the Eixample Commission certified that the building was a monument in nature and did not need to conform strictly to the municipal bylaws. Even so, the Milàs had to pay a fine of 100,000 pesetas to legalise the building.

The Milàs argued with Gaudi over his fees and they even went to court over them. Gaudi won the case and Roser Segimon had to mortgage Casa Mila to pay the architect, who donated the compensation to a convent of nuns.

The first tenants

In the early years, advertisements were published in La Vanguardia newspaper, offering rooms to rent in Casa Mila, looking for servants for one or other of the tenants, and even advertising English classes with a teacher named Miss Dick.

The tenants included: the Pensió Hispano-Americana (1912-1918); Alberto I. Gache (Buenos Aires, 1854 – Montevideo, 1933), consul of the Argentine Republic to Barcelona, who lived at apartment 1r 2a from 5 August 1911 to the end of 1919; Mercè Duran and Paco Abadal, who moved into apartment 3r 1a and lived there from 1912 to late 1930; the Egyptian prince Ibrahim Hassan (Cairo, 1879 – Barcelona, 1918), who died in his home in La Pedrera on Passeig de Gràcia; and the Baladia family, textile industrialists who rented apartment 2n 2a on Carrer Provença as a pied-à-terre, a practical and small central flat where they could spend the night after they had been out late at the Liceu opera house, the Palau de la Música concert hall, the theatre or a celebratory event in Barcelona.

In 1929, shops started to open in the ground floor of the building, among them the famous Sastreria Mosella tailor’s shop, which remained there for over 80 years.

In 1946 Roser Segimon, who by now had been a widow for six years, sold the building to the Immobiliària Provença real estate company, though she continued to live in the apartment on the main floor until her death in 1964.

Schedule La Pedrera

By day:9:00 am – 6:30 pm

Last entry: 6:00 pm

By night: 08:40 pm – 10:00 pm

La Pedrera from Plaça Catalunya

• Train: 1 station
• Car: 8 min
• Walking :15 min

Public transport near La Pedrera

Bus: V15, V17, H10, H8, 7, 22, 24, 6, 33, 34.

Line: Line 3 and 5. Station Diagonal

Renfe: Station Passeig de Gràcia

FGC: Station Provença – La Pedrera

Barcelona Cathedral. The Cathedral of the Holy Cross and Saint Eulalia ( Catalan: Catedral de la Santa Creu i Santa Eulàlia, Spanish: Catedral de la Santa Cruz y Santa Eulalia ), also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Spain.

The word Cathedral is a synonym of See. Cathedral derives from the word cathedra (seat) and is, in effect, the residence of the dioceses’ Bishop. The place from which he teaches and explains Christian doctrine to the faithful.

Construction of the magnificent Gothic Cathedral of Barcelona commenced on 1 May 1298, on the site of a Romanesque temple. The work was carried out in three stages over 150 years. As is true for many religious buildings, construction had to move at a slow pace. The main façade was raised at the end of the 19th century, while the 90-meter high cimborio went up in 1913. In 1969 the blackened domes were cleaned, the altar adapted, illumination installed and the archives were renovated. These actions were carried out following the guidelines established in Vatican Council II. The façade and cimborio were restored between 2004 and May of 2012; that work has not yet been completed and includes restoration of the rooftops and the bell tower.

Our beautiful Cathedral receives three million visitors each year. The magnificence of its Gothic art, the splendid Gothic and Baroque altarpieces, its marvelous choir, the baptistery and the sepulcher of Saint Eulalia are evident to all observers.

Naturally, our See, located in Barcelona’s Gothic neighborhood, offers all the fundamental religious services. There are daily Masses, well-attended confessions, baptisms of children and adults. We also provide shelter and vigil services, aimed at maintaining order and attending to those people who require special attention. Of particular interest is the conventual Mass held every Sunday, with the intervention of the famous Francesc Valls chamber choir.

The See of Barcelona is both beautiful and well-cared for. The Canons – the priests responsible for its upkeep – ensure that worship services are appropriately maintained and that faithful and visitors alike feel at home. Indeed, the Cathedral is the house of Our Lord and also that of all human beings.

We hope that this site helps you to find what you expect from the Cathedral of Barcelona. You will be surprised by what is has to offer as a temple, a museum, a sanctuary,…. The faithful will find sustenance for their souls and everyone’s spirits will be lifted on contemplating the beauty of this monument.

Cathedral Visit in 2021

Chor entrance + Acces to the rooftop + Chapter hall + Virtual Audioguide €9.00

ENTRANCES

• Main Door (Pla de la Seu)
• Door of Saint Eulalia (Carrer del Bisbe): accesible by persons whith reduced mobility
• Doors close five minutes before closing time.

VISITING TIMES FOR THE CATHEDRAL

WEEK DAYS

• Opening hours for worship and prayer:
  from 8:30 a.m. to 12:30 p.m. and from 5:45 p.m. to 7:30 p.m.
• Cultural and tourist visit hours:
  from 10:30 a.m. to 6:30 p.m. (access will be closed at 6:00 p.m.)

SATURDAYS AND FESTIVE VIGIL (RELIGIOUS)

• Opening hours for worship and prayer:
  from 8:30 a.m. to 12:30 p.m. and from 5:15 p.m. to 8:00 p.m.
• Cultural and tourist visit hours:
  from 10:30 a.m. at 5:00 p.m. (access will be closed at 4:30 p.m.)

SUNDAYS AND FESTIVE (RELIGIOUS)

• Opening hours for worship and prayer:
  from 8:30 a.m. to 1:45 p.m. and from 5:15 p.m. to 8:00 p.m.
• Cultural and tourist visit hours:
  It will not be done until further notice

Opening hours of Sagrada Familia

Opening hours

• Monday through Sunday from 9:00 am to 8:00 pm.
• Visitor services are available by phone only and the hours are Monday to Sunday from 9:00 am to 6:00 pm.
• Tickets can only be purchased online.
• The opening times and days may occasionally be modified by the management due to special events taking place inside the Basilica.

Getting here 

• Carrer de la Marina N 41º 24′ 283″ | E 2º 10′ 486″
• Metro L2 and L5 Sagrada Família. / Bus 19, 33, 34, D50, H10 and B24.
• Individuals: use the general entrance on the Nativity façade, on c/ de la Marina.
• Groups: use the group entrance on c/ de la Marina.
• Schools Baccalaureate: Enter through the group entrance on c/ de la Marina.

Buy tickets

https://sagradafamilia.org/tickets

Virtual Tour

https://sagradafamilia.org/en/virtual-tour

HISTORY OF THE BASÍLICA

The Sagrada Família is a one-of-a-kind temple, for its origins, foundation and purpose. Fruit of the work of genius architect Antoni Gaudí, the project was promoted by the people for the people. Five generations now have watched the Temple progress in Barcelona. Today, more than 135 years after the laying of the cornerstone, construction continues on the Basilica.

ANTONI GAUDÍ

Reus, 25 June 1852 – Barcelona, 10 June 1926

Ahead of his time, unique. A man of faith, observer of nature and genius architect, Antoni Gaudí has become a universal figure in modern architecture. His contribution to this discipline broke all the established rules. With never-before-seen building and structural systems, he created his own unique, unprecedented methodology and a style suffused with symbolism with the utmost care in every detail, showing his love of artisan trades. 

UNESCO World Heritage

The criteria that govern the joint UNESCO World Heritage listing of these “Works of Antoni Gaudí”, including the crypt and the Nativity façade of the Expiatory Temple of the Sagrada Família, are as follows:

• Criterion (i): The work of Antoni Gaudí represents an exceptional and outstanding creative contribution to the development of architecture and building technology in the late 19th and early 20th centuries.

• Criterion (ii): Gaudí’s work exhibits an important interchange of values closely associated with the cultural and artistic currents of his time, as represented in Modernisme of Catalonia. It anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century.

• Criterion (iv): Gaudí’s work represents a series of outstanding examples of the building typology in the architecture of the early 20th century, residential as well as public, to the development of which he made a significant and creative contribution.

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The Escola Superior de Música de Catalunya (ESMUC) is the only public center in Catalonia to award a degree in higher artistic education in Music, within the framework of the organization of artistic education and its insertion in the European Space of Higher Education.

The School offers the study of the higher degree of music, of 240 ECTS credits.

• Composition
• Direction
• Musicology
  • Classical and Contemporary Music
    • Clarinet, Double Bass, Bassoon, Flute, Oboe, Saxophone, Trombone, Horn, Trumpet, Tuba / Bombardier, Viola, Violin, Cello
    • Harp
    • Percussion
    • He agreed
    • Singing
    • Guitar
    • Organ
    • Piano
  • Jazz and Modern Music
    • Jazz Clarinet, MM Flute, Jazz Saxophone / MM, Jazz Trombone / MM, Jazz Trumpet / MM
    • Electric Bass, Jazz / MM Drums, Jazz Double Bass, Jazz Guitar, MM Electric Guitar, MM Percussion, Jazz Piano, MM Keyboards, Jazz Violin
    • Jazz singing and Modern Music singing
  • Early Music
    • Historical harps, Harpsichord, Fortepiano, Stringed instruments
    • Historical clarinet, Historical double bass / Violone, Bugle, Historical bassoon, Recorder, Historical flute, Historical oboe, Historical percussion, Sacabutx, Natural horn, Shrimp viola, Historical viola, Historical violin, Historical cello
    • Historical singing
  • Cobla instruments
    • Flabiol and tambourine, Fiscorn, Tenora, Tible
    • Instruments of traditional Catalan music: Diatonic accordion, Bagpipe, Gralla
    • Flamenco instruments: Flamenco guitar, Sing flamenco

• Traditional Music

• Pedagogy
• Sonology
• Production and Management
• Interpretation

Professorat al ESMUC http://www.esmuc.cat/escola/sobre-lesmuc/professorat/

Professor/a	Assignatures
Aguilà, Oriol	Patrocini i mecenatge
Aixa, Marc	Percussió
Albet, David	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Almajano, Marta	Cant històric
Alomar, Jordi	Dimensió econòmica del sector musical
Artigas, Javier	Anàlisi de la música antigaTaller d’anàlisi de la música antiga
Asensio, Joan	Anàlisi del flamencoCambra / conjunt instrumentalImprovisació i acompanyament del flamenco I i IITranscripció per a guitarra flamenca
Asensio, Juan Carlos	Cant plaHistòria de la música de l’edat mitjanaHistòria de la música del segle XV i XVINotació i edició I i IIIntroducció a la codicologia
Àvila, Raimon	Formació corporal i comunicació I, II i III
Bäcker, Rolf	Fonètica aplicada al cant I, II, III i IV
Badal, Ferran	Didàctica del conjunt instrumental
Balssa, Emmanuel	Violoncel històricViola de gamba
Barbal, Margarida	Eines didàctiques de consciència corporalFormació corporal i comunicació I i II
Barbeta, Xavier	Piano
Barrachina, Àlex	Anàlisi, síntesi i processament del so IIInterpretació amb mitjans electrònics I
Barrera, Magdalena	ArpaCambra / conjunt instrumental
Bataller, Arnau	Composició per a mitjans audiovisuals IComposició principal
Baucells, Josep	Percepció auditiva generalFonaments de composició
Benítez, Gorka	Flauta travessera JiMMImprovisació i acompanyament de la MM IIIImprovisació i acompanyament del Jazz II i IVSaxòfon JiMM
Bernat, Miquel	Percussió
Bes, Ruben	Didàctica de l’instrument I i IIDidàctica del llenguatge i l’expressió musical IIPràcticum de pedagogia I i II
Blanch, Xavier	Cambra / conjunt instrumentalOboèOboè històric
Bofill, Miquel	Cambra / conjunt instrumentalSaxòfon
Bonal, Ester	Desenvolupament professionalInstruments polifònics a l’aula
Bonet, David	Repertori instrumental específic, trompa
Bonet, Javier	Trompa / Trompa natural
Borne, Patrick	Fonètica aplicada al cant I, II, III i IV
Borràs, Josep	Fagot històric
Bover, Albert	Piano JazzImprovisació i acompanyament del jazz IVTeclats MM
Branch, Alan	Cambra / conjunt instrumentalLiedPianoRepertori específic del cantSeminari de música vocalFonètica aplicada al cant I, II, III i IV
Bronevetzki, Vladislav	Piano
Brotons, Salvador	Direcció d’orquestra principalComposició principalPràctiques de direcció
Brown, Jonathan	Cambra / conjunt instrumentalViolaRepertori i tècniques de la música contemporània
Cabestany, Nabí	Repertori instrumental específic, violoncel
Camell, Jordi	Cambra / conjunt instrumentalPiano
Camps, Jonathan	Cambra / conjunt instrumentalContrabaix
Candendo, Óscar	Orgue
Canela, Carme	Cant Jazz i MM
Cañizares, Rafael	Guitarra flamencaTècniques de composició del flamenco
Capella, Francesc	ComboCambra / conjunt instrumentalComposició del JazzHistòria de la música popularHistòria del JazzPiano Jazz
Carbonell, Daniel	Cambra / conjunt instrumentalGralla / dolçaina
Cardenal, David	Distribució de continguts musicalsComencialització de continguts musicals
Carod, Apel·les	Violí jazzCombo
Carrasco, Elisenda	Didàctica del conjunt vocal
Casanova, Cori	Foniatria
Casares, Lluc	Combo
Casellas, Marcel	Arranjaments de la música tradicional IICambra / conjunt instrumentalImprovisació de la música tradicional I, II, III i IV
Castelló, José Vicente	Cambra / conjunt instrumentalTrompa
Castillo, Xavier	Clarinet / Clarinet baixRepertori instrumental específic, clarinet
Castro, Raquel	Violí
Cattaneo, Aureliano	Composició principalFonaments de la composició
Chiantore, Luca	Estètica IIHistòria de la música del S.XIXMusicologia històrica III
Chiralt, Dolors	OboèCambra / conjunt instrumental
Climent, Lambert	Cant històric
Coll, Lluís	Corneta
Coll, Xavier	Cambra / conjunt instrumental
Colomer, Jaume	Distribució i comercialització de continguts musicalsProducció aplicada a la indústria musical
Comajuncosas, Josep Maria	Anàlisi, síntesi i processament del so IElectrònica IIInformática musical IIInterpretació amb mitjans electrònics IITècniques de programació III
Conangla, Ferran	Sonorització de directesTècniques d’enregistrament i postproducció I, II, III i IV
Coppola, Lorenzo	Cambra / conjunt instrumentalClarinet històric
Costal, Anna	Història de la música dels segles XX i XXIHistòria de la música catalana dels segles XIX i XXMúsica tradicional catalanaMusicologia històrica IIEstètica I
Curti, Horacio	Pràcticum de Musicologia I i IIMúsiques tradicionals del món IITècniques d’execució de les músiques tradicionalsEtnomusicologia ISeminari de musicologia
de Jong, Karst	Improvisació i acompanyament III i IVImprovisació i acompanyament per a pianistes IIITècniques compositives I, II i III
de la Rubia, Juan	Cambra / conjunt instrumentalImprovisació i acompanyament I, II  i IVImprovisació i acompanyament per a pianistes I, II i III
Díaz Latorre, Xavier	Cambra / conjunt instrumentalInstruments de corda polsadaBaix continu III i IV
Dichamp, Jean-François	Piano
Dubuclet, John	Anàlisi del Jazz i la música moderna per a altres àmbitsCambra / conjunt instrumentalImprovisació del Jazz i la música moderna per a altres àmbitsTrombó JiMM
Duijck, Johan	Direcció de cor principalPràctiques de direcció
Duque, Javier	Organització i contextos educatiusPedagogia sistemàtica de la música  I i IIPsicopedagogiaSeminari d’investigació en educació musical
Egea, Susana	Escena lírica I, II i IIITècniques actorals I i II
Enrich, Enric	Drets de propietat intel.lectual
Espasa, Daniel	Improvisació i acompanyament I i II, harmònicsImprovisació i acompanyament per a pianistes I, II, III i IVCambra / conjunt instrumental
Espí, Sònia	Tecnologia aplicada a la producció i difusió I i II
Estevan, Pedro	Percussió històrica
Fargas, Joan	Gestió d’equips
Farrés, Mireia	Trompeta
Fernández, Agustí	Improvisació i acompanyament III i IV
Fernández, Pablo Manuel	Tuba / bombardíCambra / conjunt instrumental
Ferrándiz, Lorenzo	PercussióCambra / conjunt instrumental
Figaró, Jordi	Tenora
Figuerola, Xavier	Saxòfon JiMMClarinet JiMM
Fina, Xavier	Dimensió econòmica del sector musicalEmprenedoria i creació d’empresesL’entorn empresarialMarc públic i institucional de la músicaMúsica i comunicació en l’entorn globalDesenvolupament professional
Finger, Ana	Cant JiMMCambra / conjunt instrumental
Forcada, Dani	Percussió MMCambra / conjunt instrumental
Fumero, Horacio	Contrabaix JazzComboCambra / conjunt instrumental
Fuster, Josep	Clarinet
Fuster, Martina	Dret
Galassi, Mara	Arpes històriques
Galduf, Simeón	Sacabutx
Gallego, Júlia	Flauta travessera
García, Luis	Disseny, desenvolupament i innovació curricularFormació corporal i comunicació IMúsica, moviment i rítmica I i IIRelació docent
García, Mariano	Cambra / conjunt instrumentalSaxòfon
García, Raúl	Trombó / trombó baixCambra / conjunt instrumentalRepertori instrumental específic, trombó
Garrigosa, Francesc	CantCant històricLiedCor de la Música AntigaSeminari de música vocal
Garrobé, Àlex	Guitarra
Gascón, Luis Ignacio	SaxòfonCambra / conjunt instrumental
Gascón, Montserrat	Cambra / conjunt instrumental
Gasull, Feliu	Cambra / conjunt instrumentalImprovisació i acompanyament I i IIArranjaments del flamencoRepertori i tècniques de la música contemporània
Giménez, Néstor	ComposicióCombos
Giné, Enric	ElectrotècniaPràcticum de sonologiaFonaments d’acústicaTècniques d’enregistrament i postproducció I, II, III i IV
Ginesi, Gianni	Models d’organització sonora de les músiques tradicionalsMúsica i cultura IIMúsiques tradicionals del món IPràcticum de musicologia I i II
Gleusteen, Kai	Violí
Gómez, David	Bateria JiMM Perfeccionament rítmic
Gómez, Ignasi	Didàctica del llenguatge i l’expressió musical I i IIDidàctica de l’instrument IIPràcticum de pedagogia I i IIRelació docent
Gotlibovich, Yuval	ViolaCambra / conjunt instrumental
Grimalt, Imma	Pràcticum de producció i gestió I i IIPràctiques internes de producció i gestió I, II i IIIProducció de concerts i esdeveniments musicalsTècniques de comunicació
Grimalt, Joan	Metodologies d’anàlisi musicalReducció de partitures I, II, III i IVTaller d’anàlisi I i II
Guaus, Enric	Electrònica IFísica i matemàtiques per a la música ILaboratori de So I i IIIPràctiques internes de sonologia I i IIPràcticum de sonologiaFonaments d’acústica
Guglielmi, Luca	ClavicèmbalFortepiano
Guinovart, Albert	Composició principalInstrumentació i orquestració I i II
Gumí, Albert	Cambra / conjunt instrumentalImprovisació i acompanyament I i II
Hantaï, Marc	Flauta travessera històrica
Havel, Christophe	Composició principal
Heilbron, Marc	Història de l’òperaHistòria de la música del segle XVIIIMusicologia històrica IEstètica IFonètica aplicada al cant I, II i IIIMúsica i cultura II
Herrera, Perfecto	Fonaments d’acústicaEscolta crítica IIIntroducció a la tecnologia musicalPsicoacústicaTecnologies per a la recerca musicalPràcticum de sonologia
Ibáñez, Xavier	Teclats MMComboCambra / conjunt instrumentalComposició de Música Moderna IArranjaments de la MM I
Ill, Carles	Metodologies de recerca
Iotti, Guido	Repertori instrumental específic, orgue
Kleiman, Vika	Formació corporal i comunicació I i IIMúsica i dansaPracticum de pedagogía I i II
Kraemer, Manfredo	Violí històric
Krause, Jo	Bateria JiMM
Lara, Mireia	Cant JiMMComboCambra / conjunt instrumental
León, Jordi	Repertori de la cobla
Likeng, Didier	Cor gospel
Linares, Maria Assumpció	Foniatria Tècnica vocal aplicada I
Lloris, Enedina	CantSeminari de música vocal
Lluna, Joan Enric	Clarinet Cambra / conjunt instrumental
López Cano, Rubén	Estètica IHistòria de la música del S.XVIIMetodologies d’investigació musical I i IITeoria crítica del coneixement
Lossev, Denis	Piano
Lozano, José	Disseny de soLaboratori de so II i IV
Magrí, Laia	Fagot, ContrafagotRepertori instrumental específic de fagot
Margarit, Josep	Anàlisi de la música IComposició aplicada a l’ensenyamentMetodologies d’anàlisi musical
Marigó, Carles	Improvisació i acompanyament
Martín, Carlos	Trombó JiMM
Martínez Borruel, Eduard	Baix continuPràctica de baix continuClavicèmbalRepertori de la música antiga
Martínez Mehner, Vera	ViolíCambra / conjunt instrumental
Martínez, Damià	Violoncel
Martínez, Eduardo	Oboè
Martínez, Sílvia	Etnomusicologia IIIMúsica i cultura III
Martínez, Sofía	Percepció auditiva generalPercepció auditiva específicaRepertori instrumental específic, flauta
Martínez, Uxia	Contrabaix
Masó, Jordi	Piano
Mateu, Assumpta	CantLiedCambra / conjunt instrumental
Memelsdorff, Pedro	Flauta de becCambra / conjunt instrumentalFonts històriques de la interpretació de la música antiga
Mercadal, Melissa	Fonaments de musicoteràpiaPsicopedagogia
Mercader, Nan	Percussió MMComboCambra / conjunt instrumental
Mestre, Daniel	Formació vocal aplicada IIPercepció auditiva generalTècniques bàsiques de direcció
Minguet, Vicent	Música i cultura II
Moliner, Pep	FiscornCambra / conjunt instrumental
Momblant, Ester	Formació corporal i comunicació I i IIMúsica i dansa
Monné, Joan	ComboCambra / conjunt instrumentalImprovisació i acompanyament del Jazz I i IIIPiano Jazz
Mor, José	Violoncel
Mora, Albert	Flauta travesseraCambra / conjunt instrumentalImprovisació i acompanyament II
Mora, Jordi	Direcció d’orquestra principalPràctiques de direcció
Mora, Mireia	Formació corporal i comunicació I i II
Moreno, Emilio	Violí històricViola històrica
Moretti, Kennedy	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Murcia, Grati	Percussió
Natividade, Margarida	CantLiedSeminari de música vocal
Navarro, Blai	AcordióTranscripció per a acordió
Noll, Thomas	Teoria musical del segle XX
O’Callaghan, Pep	Anàlisi de la MM I i IIPercepció auditiva específicaPercepció auditiva avançada
Oller, Joan	MàrquetingProgramació musical
Pallàs, Laura	Repertori instrumental específic, piano
Pastor, Fèlix	Anàlisi de la música IMetodologies d’anàlisi musicalAnàlisi de la música del s. XX i XXI
Pérez Cucurella, Pep	Baix elèctric MMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM II
Pérez Molina, Lourdes i Lluís	PianoCambra / conjunt instrumental
Pérez, Dani	Guitarra JiMMComboCambra / conjunt instrumentalImprovisació i acompanyament del Jazz III
Perpiñán, Daniel	Trombó / Trombó tenor
Pestalozzi, Cristoforo	Violoncel
Pi, Judit	Tècniques de Comunicació
Pillai, Ashan	Viola
Pintó, Mireia	Cant
Pla, Adolf	PianoCambra / conjunt instrumental
Plana, Cati	Acordió diatònicCambra / conjunt instrumental
Poletti, Paul	Acústica i organologia IOrganologiaAfinacions històriquesAfinacions del teclatFonaments d’acústicaPràcticum de sonologia
Poyato, Francisco	LiedCambra / conjunt instrumentalSeminari de música vocal
Prats, Vicens	Flauta travessera
Prieto, Jesús	Guitarra elèctrica MMGuitarra JiMM
Puertas, Xavier	Contrabaix històric / violone
Puig, Xavier	Cambra / conjunt instrumentalDirecció d’orquestra secundària I i IIPràctica d’orquestra I i II
Pujol, Josep	Música i cultura ITaller d’escriptura per a la musicologia
Rabaseda, Joaquim	Història de la música audiovisualAnàlisi de la música audiovisualCompositors catalans dels segles XX i XXITaller d’ànalisi per a la musicologia
Réach, Pierre	PianoCambra / conjunt instrumental
Regalado, David	Gestió i planificació pressupostària
Reinón, Eladio	Saxòfon JiMMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM IVImprovisació i acompanyament del Jazz II
Resina, Eduard	Composició assistida per ordinador I i IIComposició electroacústica I i IIComposició principalMetodologies d’anàlisi musical
Ribera, Manel	Fonaments de la composicióTècniques compositives I
Rielo, María José	Fagot
Rio-Pareja, Josep	Composició principalFionaments de la composicióTaller d’anàlisi II
Roca, Alba	Violí històric
Rodeiro, Manel	Anàlisi de la música I i IIAnàlisi de la música dels segles XX i XXIMetodologies d’anàlisi musical
Rossy, Mario	Contrabaix JazzComboImprovisació del Jazz i la música moderna per a altres àmbits
Rubio, Francisco	Improvisació i ornamentació I, II, III i IVImprovisació i ornamentació de la MA per a altres àmbits
Sabaté, Marcel	Flabiol i tamboríArranjaments de la coblaCambra / conjunt instrumental
Salazar, Pep	Gestió de la innovació
Salinas, Rafael	PianoFonaments de la pràctica interpretativa
Sampablo, Alberto	Dret
Saña, Oriol	Violí JiMMCambra / conjunt instrumental
Sanmartí, Joan	Edició de partitures amb mitjans informáticsComposició de Música Moderna IIComboCambra / conjunt instrumentalGuitarra JiMMGuitarra elèctrica MM
Santana, Galdric	CornamusaCambra / conjunt instrumental
Santana, Guilhaume	Fagot
Satué, Helena	Violí
Sempere, Núria	Desenvolupament professionalGestió de centres educatiusGestió de projectes comunitaris
Serrano, Ángel	TrompetaRepertori instrumental específic, trompetaCambra / conjunt instrumentalPràctica d’orquestra
Simarro, Miguel	Repertori instrumental específic, violaRepertori instrumental específic, violí
Simon, Matthew	Trompeta JiMM
Soler, Jordi	Tecnologies per a l’educació musical
Sotelo, Mauricio	Composició principal
Stanculeasa, Vlad	Violí
Surinyac, Josep	Lied
Tancredi, Eduardo	Piano JazzTeclats MMCor JiMMComboCambra / conjunt instrumental
Terraza, Ignasi	Piano JazzCombo
Tomàs, Abel	Cambra / conjunt instrumental
Tomàs, Arnau	Cambra / conjunt instrumental
Torramilans, Ramon	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Urtasun, Rosamèrica	Repertori instrumental específic, acordióPercepció auditiva general
Vergés, Lluís	Anàlisi del Jazz I i IIArranjaments del Jazz I i IIArranjaments de la MM IIComposició de Música Moderna I
Vidal, Lluís	ComboCambra / conjunt instrumentalComposició de Jazz I i IIPiano Jazz
Vila, Josep	Direcció de cor principalPràctiques de direcció
Vila, Lluís	CorCor per a cantants I, II i IIIDirecció de cor secundària I i IIFormació vocal aplicada I
Vilaró, Jordi	TibleCambra / conjunt instrumental
Villanueva, Isabel	Management i representació d’artistes
Vivancos, Bernat	Composició principalInstrumentació i orquestració III i IV
Vivancos, Jordi	Sociologia de la música
Vizcaya, José Miguel	Cante flamencoImprovisació i acompanyament del flamenco III, IV, V i VICambra / conjunt instrumentalRepertori del flamenco
Volguin, Yuri	Violí
Willis, Gary	Baix elèctricCombo
Xirgu, David	Bateria Ji MMComboPerfeccionament rítmic
Young, Laura Anne	GuitarraCambra / conjunt instrumental
Zamora, Ignasi	Baix elèctric MMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM I
Zaragozà, Josep Lluís	Didàctica general
Zarco, Antonio	Improvisació i acompanyament del Flamenco per a altres àmbitsRepertori del flamencoTeoría del FlamencoCambra / conjunt instrumentalGuitarra flamenca IS

Encants Market in Barcelona is also known as the Fira de Bellcaire and is one of the oldest markets in Europe that’s had been going on the same site. The origins go back to the 1300s and is a strong example of the importance that Barcelona has had on the world of commerce throughout its history. It’s a flea market where you can find all sorts of antiques and collectibles!

The area around the Plaça de les Glòries is packed with surprises and attractions. In addition to the imposing presence of the Glòries Tower and world-class cultural facilities such as the Teatre Nacional de Catalunya, the concert hall, L’Auditori, and the design museum, the Museu DHUB, you can now enjoy the new market “Encants Barcelona”, a mini retail world that is well worth discovering.

The city’s old flea market, known as the “Encants vells” or Fira de Bellcaire, moved to the other side of the Plaça de les Glòries in September 2013. It now stands on a triangular site between Carrer Castillejos and Avinguda Meridiana. It is housed under a giant aluminium and zinc pergola with a mirrored ceiling that provides shelter for the hundreds of stalls and reflects the kaleidoscope of goods for sale and curious shoppers below.

The new ultramodern, open-sided structure is set out on different levels and embodies the authentic spirit of a second-hand, open-air market. The vendors’ cries, the art of haggling and the stalls piled high with the most unexpected objects leave no room for nostalgia.

For collectors and bargain-hunters looking for the best price, the “Encants” offer a whole host of good buys. Antique furniture and tools, old books and records, second-hand clothing and accessories in the purest vintage style, intermingle with all kinds of goods, from antiques to the latest in lighting, taps and electrical gadgets. The bars and restaurants around the market are the perfect complement to the bustling atmosphere and give you a glimpse of the real Barcelona which knows how to blend tradition and modernity.

A fabulous mega market in the open street, this flea market has it all.

Suggested duration 2-3 hours

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Glòries square (Plaça de les Glòries) was supposed to be the city center in Ildefons Cerdà urban plan for Barcelona (the one that originated the Eixample district). This idea didn’t work quite well and for a long time it was relegated to a secondary status.

Nonetheless, this plans have realized many decades later, as the whole is finally coming alive with extensive shopping areas, iconic Glòries Tower and the Design Hub Barcelona (Museum of Design).

Recent efforts to revitalize the area have succeeded with the construction of Glòries Tower, the National Catalonia Theater, the Barcelona Design Center and the new venue for the Encants Vells Market.

Glories Barcelona Shopping Center is the main leisure area in the square. It’s one of the best places for shopping in Barcelona.

Also, it features some large department stores, and the regular Spanish and International fashion boutiques, children’s playcenter, a gym, a cinema, and several restaurants as well as coffee houses.

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L’Auditori of Barcelona is the home of the Barcelona Symphony Orchestra, and the Barcelona wind band. Once inside, it is a beautiful building despite the very austere exterior. Friendly staff, and high quality performances of a wide range of classical music. Location is not easy – it’s not on the “tourist trail”, but if you are interested in classical music, check the excellent website and book in advance of your visit to Barcelona.

L’Auditori, which is located in the Eixample, covers a surface area of 42,000m2 and is one of Barcelona’s premier music venues. The wood-lined main auditorium, the Sala Pau Casals, can seat 2,340 people and has exceptional acoustics which can be experienced as you enjoy a wide variety of musical styles, from symphonic music to rock and the works of singer-songwriters. It is located next to the Museum of Music of Barcelona.

The concert hall complex, L’Auditori, was designed by Rafael Moneo, one of the world’s most renowned architects, It opened in 1999 and since then has become a focus for Barcelona’s musical life in the spheres of education, teaching and research. L’Auditori has three concert halls with impeccable acoustics, each of them named after a Catalan musician: the symphony hall, the Sala Pau Casals, seating 2,340 people; the Sala Oriol Martorell, seating 600, and the Sala Tete Montoliu, seating 400. The complex also houses the Museu de la Música, the music school, the Escola Superior de Música de Catalunya (ESMUC) and is the premises of the Orquestra Simfònica de Barcelona i Nacional de Catalunya (OBC). All these spaces are set out around a central courtyard which contains one of the true gems of the building: the monumental cubic lantern made of glass and decorated with striped paintings by Pablo Palazuelo.

L’Auditori is the venue for the Barcelona Festival of Contemporary Music, and hosts seasons of symphonic, chamber, early, world, choral and modern music. It also runs educational programmes, provides support for young artists, and brings music to the most disadvantaged members of the community.

Carrer de Lepant, 150, 08013 Barcelona, Spain

https://www.auditori.cat/