The Escola Superior de Música de Catalunya (ESMUC) is the only public center in Catalonia to award a degree in higher artistic education in Music, within the framework of the organization of artistic education and its insertion in the European Space of Higher Education.

The School offers the study of the higher degree of music, of 240 ECTS credits.

• Composition
• Direction
• Musicology
  • Classical and Contemporary Music
    • Clarinet, Double Bass, Bassoon, Flute, Oboe, Saxophone, Trombone, Horn, Trumpet, Tuba / Bombardier, Viola, Violin, Cello
    • Harp
    • Percussion
    • He agreed
    • Singing
    • Guitar
    • Organ
    • Piano
  • Jazz and Modern Music
    • Jazz Clarinet, MM Flute, Jazz Saxophone / MM, Jazz Trombone / MM, Jazz Trumpet / MM
    • Electric Bass, Jazz / MM Drums, Jazz Double Bass, Jazz Guitar, MM Electric Guitar, MM Percussion, Jazz Piano, MM Keyboards, Jazz Violin
    • Jazz singing and Modern Music singing
  • Early Music
    • Historical harps, Harpsichord, Fortepiano, Stringed instruments
    • Historical clarinet, Historical double bass / Violone, Bugle, Historical bassoon, Recorder, Historical flute, Historical oboe, Historical percussion, Sacabutx, Natural horn, Shrimp viola, Historical viola, Historical violin, Historical cello
    • Historical singing
  • Cobla instruments
    • Flabiol and tambourine, Fiscorn, Tenora, Tible
    • Instruments of traditional Catalan music: Diatonic accordion, Bagpipe, Gralla
    • Flamenco instruments: Flamenco guitar, Sing flamenco

• Traditional Music

• Pedagogy
• Sonology
• Production and Management
• Interpretation

Professorat al ESMUC http://www.esmuc.cat/escola/sobre-lesmuc/professorat/

Professor/a	Assignatures
Aguilà, Oriol	Patrocini i mecenatge
Aixa, Marc	Percussió
Albet, David	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Almajano, Marta	Cant històric
Alomar, Jordi	Dimensió econòmica del sector musical
Artigas, Javier	Anàlisi de la música antigaTaller d’anàlisi de la música antiga
Asensio, Joan	Anàlisi del flamencoCambra / conjunt instrumentalImprovisació i acompanyament del flamenco I i IITranscripció per a guitarra flamenca
Asensio, Juan Carlos	Cant plaHistòria de la música de l’edat mitjanaHistòria de la música del segle XV i XVINotació i edició I i IIIntroducció a la codicologia
Àvila, Raimon	Formació corporal i comunicació I, II i III
Bäcker, Rolf	Fonètica aplicada al cant I, II, III i IV
Badal, Ferran	Didàctica del conjunt instrumental
Balssa, Emmanuel	Violoncel històricViola de gamba
Barbal, Margarida	Eines didàctiques de consciència corporalFormació corporal i comunicació I i II
Barbeta, Xavier	Piano
Barrachina, Àlex	Anàlisi, síntesi i processament del so IIInterpretació amb mitjans electrònics I
Barrera, Magdalena	ArpaCambra / conjunt instrumental
Bataller, Arnau	Composició per a mitjans audiovisuals IComposició principal
Baucells, Josep	Percepció auditiva generalFonaments de composició
Benítez, Gorka	Flauta travessera JiMMImprovisació i acompanyament de la MM IIIImprovisació i acompanyament del Jazz II i IVSaxòfon JiMM
Bernat, Miquel	Percussió
Bes, Ruben	Didàctica de l’instrument I i IIDidàctica del llenguatge i l’expressió musical IIPràcticum de pedagogia I i II
Blanch, Xavier	Cambra / conjunt instrumentalOboèOboè històric
Bofill, Miquel	Cambra / conjunt instrumentalSaxòfon
Bonal, Ester	Desenvolupament professionalInstruments polifònics a l’aula
Bonet, David	Repertori instrumental específic, trompa
Bonet, Javier	Trompa / Trompa natural
Borne, Patrick	Fonètica aplicada al cant I, II, III i IV
Borràs, Josep	Fagot històric
Bover, Albert	Piano JazzImprovisació i acompanyament del jazz IVTeclats MM
Branch, Alan	Cambra / conjunt instrumentalLiedPianoRepertori específic del cantSeminari de música vocalFonètica aplicada al cant I, II, III i IV
Bronevetzki, Vladislav	Piano
Brotons, Salvador	Direcció d’orquestra principalComposició principalPràctiques de direcció
Brown, Jonathan	Cambra / conjunt instrumentalViolaRepertori i tècniques de la música contemporània
Cabestany, Nabí	Repertori instrumental específic, violoncel
Camell, Jordi	Cambra / conjunt instrumentalPiano
Camps, Jonathan	Cambra / conjunt instrumentalContrabaix
Candendo, Óscar	Orgue
Canela, Carme	Cant Jazz i MM
Cañizares, Rafael	Guitarra flamencaTècniques de composició del flamenco
Capella, Francesc	ComboCambra / conjunt instrumentalComposició del JazzHistòria de la música popularHistòria del JazzPiano Jazz
Carbonell, Daniel	Cambra / conjunt instrumentalGralla / dolçaina
Cardenal, David	Distribució de continguts musicalsComencialització de continguts musicals
Carod, Apel·les	Violí jazzCombo
Carrasco, Elisenda	Didàctica del conjunt vocal
Casanova, Cori	Foniatria
Casares, Lluc	Combo
Casellas, Marcel	Arranjaments de la música tradicional IICambra / conjunt instrumentalImprovisació de la música tradicional I, II, III i IV
Castelló, José Vicente	Cambra / conjunt instrumentalTrompa
Castillo, Xavier	Clarinet / Clarinet baixRepertori instrumental específic, clarinet
Castro, Raquel	Violí
Cattaneo, Aureliano	Composició principalFonaments de la composició
Chiantore, Luca	Estètica IIHistòria de la música del S.XIXMusicologia històrica III
Chiralt, Dolors	OboèCambra / conjunt instrumental
Climent, Lambert	Cant històric
Coll, Lluís	Corneta
Coll, Xavier	Cambra / conjunt instrumental
Colomer, Jaume	Distribució i comercialització de continguts musicalsProducció aplicada a la indústria musical
Comajuncosas, Josep Maria	Anàlisi, síntesi i processament del so IElectrònica IIInformática musical IIInterpretació amb mitjans electrònics IITècniques de programació III
Conangla, Ferran	Sonorització de directesTècniques d’enregistrament i postproducció I, II, III i IV
Coppola, Lorenzo	Cambra / conjunt instrumentalClarinet històric
Costal, Anna	Història de la música dels segles XX i XXIHistòria de la música catalana dels segles XIX i XXMúsica tradicional catalanaMusicologia històrica IIEstètica I
Curti, Horacio	Pràcticum de Musicologia I i IIMúsiques tradicionals del món IITècniques d’execució de les músiques tradicionalsEtnomusicologia ISeminari de musicologia
de Jong, Karst	Improvisació i acompanyament III i IVImprovisació i acompanyament per a pianistes IIITècniques compositives I, II i III
de la Rubia, Juan	Cambra / conjunt instrumentalImprovisació i acompanyament I, II  i IVImprovisació i acompanyament per a pianistes I, II i III
Díaz Latorre, Xavier	Cambra / conjunt instrumentalInstruments de corda polsadaBaix continu III i IV
Dichamp, Jean-François	Piano
Dubuclet, John	Anàlisi del Jazz i la música moderna per a altres àmbitsCambra / conjunt instrumentalImprovisació del Jazz i la música moderna per a altres àmbitsTrombó JiMM
Duijck, Johan	Direcció de cor principalPràctiques de direcció
Duque, Javier	Organització i contextos educatiusPedagogia sistemàtica de la música  I i IIPsicopedagogiaSeminari d’investigació en educació musical
Egea, Susana	Escena lírica I, II i IIITècniques actorals I i II
Enrich, Enric	Drets de propietat intel.lectual
Espasa, Daniel	Improvisació i acompanyament I i II, harmònicsImprovisació i acompanyament per a pianistes I, II, III i IVCambra / conjunt instrumental
Espí, Sònia	Tecnologia aplicada a la producció i difusió I i II
Estevan, Pedro	Percussió històrica
Fargas, Joan	Gestió d’equips
Farrés, Mireia	Trompeta
Fernández, Agustí	Improvisació i acompanyament III i IV
Fernández, Pablo Manuel	Tuba / bombardíCambra / conjunt instrumental
Ferrándiz, Lorenzo	PercussióCambra / conjunt instrumental
Figaró, Jordi	Tenora
Figuerola, Xavier	Saxòfon JiMMClarinet JiMM
Fina, Xavier	Dimensió econòmica del sector musicalEmprenedoria i creació d’empresesL’entorn empresarialMarc públic i institucional de la músicaMúsica i comunicació en l’entorn globalDesenvolupament professional
Finger, Ana	Cant JiMMCambra / conjunt instrumental
Forcada, Dani	Percussió MMCambra / conjunt instrumental
Fumero, Horacio	Contrabaix JazzComboCambra / conjunt instrumental
Fuster, Josep	Clarinet
Fuster, Martina	Dret
Galassi, Mara	Arpes històriques
Galduf, Simeón	Sacabutx
Gallego, Júlia	Flauta travessera
García, Luis	Disseny, desenvolupament i innovació curricularFormació corporal i comunicació IMúsica, moviment i rítmica I i IIRelació docent
García, Mariano	Cambra / conjunt instrumentalSaxòfon
García, Raúl	Trombó / trombó baixCambra / conjunt instrumentalRepertori instrumental específic, trombó
Garrigosa, Francesc	CantCant històricLiedCor de la Música AntigaSeminari de música vocal
Garrobé, Àlex	Guitarra
Gascón, Luis Ignacio	SaxòfonCambra / conjunt instrumental
Gascón, Montserrat	Cambra / conjunt instrumental
Gasull, Feliu	Cambra / conjunt instrumentalImprovisació i acompanyament I i IIArranjaments del flamencoRepertori i tècniques de la música contemporània
Giménez, Néstor	ComposicióCombos
Giné, Enric	ElectrotècniaPràcticum de sonologiaFonaments d’acústicaTècniques d’enregistrament i postproducció I, II, III i IV
Ginesi, Gianni	Models d’organització sonora de les músiques tradicionalsMúsica i cultura IIMúsiques tradicionals del món IPràcticum de musicologia I i II
Gleusteen, Kai	Violí
Gómez, David	Bateria JiMM Perfeccionament rítmic
Gómez, Ignasi	Didàctica del llenguatge i l’expressió musical I i IIDidàctica de l’instrument IIPràcticum de pedagogia I i IIRelació docent
Gotlibovich, Yuval	ViolaCambra / conjunt instrumental
Grimalt, Imma	Pràcticum de producció i gestió I i IIPràctiques internes de producció i gestió I, II i IIIProducció de concerts i esdeveniments musicalsTècniques de comunicació
Grimalt, Joan	Metodologies d’anàlisi musicalReducció de partitures I, II, III i IVTaller d’anàlisi I i II
Guaus, Enric	Electrònica IFísica i matemàtiques per a la música ILaboratori de So I i IIIPràctiques internes de sonologia I i IIPràcticum de sonologiaFonaments d’acústica
Guglielmi, Luca	ClavicèmbalFortepiano
Guinovart, Albert	Composició principalInstrumentació i orquestració I i II
Gumí, Albert	Cambra / conjunt instrumentalImprovisació i acompanyament I i II
Hantaï, Marc	Flauta travessera històrica
Havel, Christophe	Composició principal
Heilbron, Marc	Història de l’òperaHistòria de la música del segle XVIIIMusicologia històrica IEstètica IFonètica aplicada al cant I, II i IIIMúsica i cultura II
Herrera, Perfecto	Fonaments d’acústicaEscolta crítica IIIntroducció a la tecnologia musicalPsicoacústicaTecnologies per a la recerca musicalPràcticum de sonologia
Ibáñez, Xavier	Teclats MMComboCambra / conjunt instrumentalComposició de Música Moderna IArranjaments de la MM I
Ill, Carles	Metodologies de recerca
Iotti, Guido	Repertori instrumental específic, orgue
Kleiman, Vika	Formació corporal i comunicació I i IIMúsica i dansaPracticum de pedagogía I i II
Kraemer, Manfredo	Violí històric
Krause, Jo	Bateria JiMM
Lara, Mireia	Cant JiMMComboCambra / conjunt instrumental
León, Jordi	Repertori de la cobla
Likeng, Didier	Cor gospel
Linares, Maria Assumpció	Foniatria Tècnica vocal aplicada I
Lloris, Enedina	CantSeminari de música vocal
Lluna, Joan Enric	Clarinet Cambra / conjunt instrumental
López Cano, Rubén	Estètica IHistòria de la música del S.XVIIMetodologies d’investigació musical I i IITeoria crítica del coneixement
Lossev, Denis	Piano
Lozano, José	Disseny de soLaboratori de so II i IV
Magrí, Laia	Fagot, ContrafagotRepertori instrumental específic de fagot
Margarit, Josep	Anàlisi de la música IComposició aplicada a l’ensenyamentMetodologies d’anàlisi musical
Marigó, Carles	Improvisació i acompanyament
Martín, Carlos	Trombó JiMM
Martínez Borruel, Eduard	Baix continuPràctica de baix continuClavicèmbalRepertori de la música antiga
Martínez Mehner, Vera	ViolíCambra / conjunt instrumental
Martínez, Damià	Violoncel
Martínez, Eduardo	Oboè
Martínez, Sílvia	Etnomusicologia IIIMúsica i cultura III
Martínez, Sofía	Percepció auditiva generalPercepció auditiva específicaRepertori instrumental específic, flauta
Martínez, Uxia	Contrabaix
Masó, Jordi	Piano
Mateu, Assumpta	CantLiedCambra / conjunt instrumental
Memelsdorff, Pedro	Flauta de becCambra / conjunt instrumentalFonts històriques de la interpretació de la música antiga
Mercadal, Melissa	Fonaments de musicoteràpiaPsicopedagogia
Mercader, Nan	Percussió MMComboCambra / conjunt instrumental
Mestre, Daniel	Formació vocal aplicada IIPercepció auditiva generalTècniques bàsiques de direcció
Minguet, Vicent	Música i cultura II
Moliner, Pep	FiscornCambra / conjunt instrumental
Momblant, Ester	Formació corporal i comunicació I i IIMúsica i dansa
Monné, Joan	ComboCambra / conjunt instrumentalImprovisació i acompanyament del Jazz I i IIIPiano Jazz
Mor, José	Violoncel
Mora, Albert	Flauta travesseraCambra / conjunt instrumentalImprovisació i acompanyament II
Mora, Jordi	Direcció d’orquestra principalPràctiques de direcció
Mora, Mireia	Formació corporal i comunicació I i II
Moreno, Emilio	Violí històricViola històrica
Moretti, Kennedy	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Murcia, Grati	Percussió
Natividade, Margarida	CantLiedSeminari de música vocal
Navarro, Blai	AcordióTranscripció per a acordió
Noll, Thomas	Teoria musical del segle XX
O’Callaghan, Pep	Anàlisi de la MM I i IIPercepció auditiva específicaPercepció auditiva avançada
Oller, Joan	MàrquetingProgramació musical
Pallàs, Laura	Repertori instrumental específic, piano
Pastor, Fèlix	Anàlisi de la música IMetodologies d’anàlisi musicalAnàlisi de la música del s. XX i XXI
Pérez Cucurella, Pep	Baix elèctric MMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM II
Pérez Molina, Lourdes i Lluís	PianoCambra / conjunt instrumental
Pérez, Dani	Guitarra JiMMComboCambra / conjunt instrumentalImprovisació i acompanyament del Jazz III
Perpiñán, Daniel	Trombó / Trombó tenor
Pestalozzi, Cristoforo	Violoncel
Pi, Judit	Tècniques de Comunicació
Pillai, Ashan	Viola
Pintó, Mireia	Cant
Pla, Adolf	PianoCambra / conjunt instrumental
Plana, Cati	Acordió diatònicCambra / conjunt instrumental
Poletti, Paul	Acústica i organologia IOrganologiaAfinacions històriquesAfinacions del teclatFonaments d’acústicaPràcticum de sonologia
Poyato, Francisco	LiedCambra / conjunt instrumentalSeminari de música vocal
Prats, Vicens	Flauta travessera
Prieto, Jesús	Guitarra elèctrica MMGuitarra JiMM
Puertas, Xavier	Contrabaix històric / violone
Puig, Xavier	Cambra / conjunt instrumentalDirecció d’orquestra secundària I i IIPràctica d’orquestra I i II
Pujol, Josep	Música i cultura ITaller d’escriptura per a la musicologia
Rabaseda, Joaquim	Història de la música audiovisualAnàlisi de la música audiovisualCompositors catalans dels segles XX i XXITaller d’ànalisi per a la musicologia
Réach, Pierre	PianoCambra / conjunt instrumental
Regalado, David	Gestió i planificació pressupostària
Reinón, Eladio	Saxòfon JiMMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM IVImprovisació i acompanyament del Jazz II
Resina, Eduard	Composició assistida per ordinador I i IIComposició electroacústica I i IIComposició principalMetodologies d’anàlisi musical
Ribera, Manel	Fonaments de la composicióTècniques compositives I
Rielo, María José	Fagot
Rio-Pareja, Josep	Composició principalFionaments de la composicióTaller d’anàlisi II
Roca, Alba	Violí històric
Rodeiro, Manel	Anàlisi de la música I i IIAnàlisi de la música dels segles XX i XXIMetodologies d’anàlisi musical
Rossy, Mario	Contrabaix JazzComboImprovisació del Jazz i la música moderna per a altres àmbits
Rubio, Francisco	Improvisació i ornamentació I, II, III i IVImprovisació i ornamentació de la MA per a altres àmbits
Sabaté, Marcel	Flabiol i tamboríArranjaments de la coblaCambra / conjunt instrumental
Salazar, Pep	Gestió de la innovació
Salinas, Rafael	PianoFonaments de la pràctica interpretativa
Sampablo, Alberto	Dret
Saña, Oriol	Violí JiMMCambra / conjunt instrumental
Sanmartí, Joan	Edició de partitures amb mitjans informáticsComposició de Música Moderna IIComboCambra / conjunt instrumentalGuitarra JiMMGuitarra elèctrica MM
Santana, Galdric	CornamusaCambra / conjunt instrumental
Santana, Guilhaume	Fagot
Satué, Helena	Violí
Sempere, Núria	Desenvolupament professionalGestió de centres educatiusGestió de projectes comunitaris
Serrano, Ángel	TrompetaRepertori instrumental específic, trompetaCambra / conjunt instrumentalPràctica d’orquestra
Simarro, Miguel	Repertori instrumental específic, violaRepertori instrumental específic, violí
Simon, Matthew	Trompeta JiMM
Soler, Jordi	Tecnologies per a l’educació musical
Sotelo, Mauricio	Composició principal
Stanculeasa, Vlad	Violí
Surinyac, Josep	Lied
Tancredi, Eduardo	Piano JazzTeclats MMCor JiMMComboCambra / conjunt instrumental
Terraza, Ignasi	Piano JazzCombo
Tomàs, Abel	Cambra / conjunt instrumental
Tomàs, Arnau	Cambra / conjunt instrumental
Torramilans, Ramon	Cambra / conjunt instrumentalRepertori i tècniques de la música contemporània
Urtasun, Rosamèrica	Repertori instrumental específic, acordióPercepció auditiva general
Vergés, Lluís	Anàlisi del Jazz I i IIArranjaments del Jazz I i IIArranjaments de la MM IIComposició de Música Moderna I
Vidal, Lluís	ComboCambra / conjunt instrumentalComposició de Jazz I i IIPiano Jazz
Vila, Josep	Direcció de cor principalPràctiques de direcció
Vila, Lluís	CorCor per a cantants I, II i IIIDirecció de cor secundària I i IIFormació vocal aplicada I
Vilaró, Jordi	TibleCambra / conjunt instrumental
Villanueva, Isabel	Management i representació d’artistes
Vivancos, Bernat	Composició principalInstrumentació i orquestració III i IV
Vivancos, Jordi	Sociologia de la música
Vizcaya, José Miguel	Cante flamencoImprovisació i acompanyament del flamenco III, IV, V i VICambra / conjunt instrumentalRepertori del flamenco
Volguin, Yuri	Violí
Willis, Gary	Baix elèctricCombo
Xirgu, David	Bateria Ji MMComboPerfeccionament rítmic
Young, Laura Anne	GuitarraCambra / conjunt instrumental
Zamora, Ignasi	Baix elèctric MMComboCambra / conjunt instrumentalImprovisació i acompanyament de la MM I
Zaragozà, Josep Lluís	Didàctica general
Zarco, Antonio	Improvisació i acompanyament del Flamenco per a altres àmbitsRepertori del flamencoTeoría del FlamencoCambra / conjunt instrumentalGuitarra flamenca IS

Encants Market in Barcelona is also known as the Fira de Bellcaire and is one of the oldest markets in Europe that’s had been going on the same site. The origins go back to the 1300s and is a strong example of the importance that Barcelona has had on the world of commerce throughout its history. It’s a flea market where you can find all sorts of antiques and collectibles!

The area around the Plaça de les Glòries is packed with surprises and attractions. In addition to the imposing presence of the Glòries Tower and world-class cultural facilities such as the Teatre Nacional de Catalunya, the concert hall, L’Auditori, and the design museum, the Museu DHUB, you can now enjoy the new market “Encants Barcelona”, a mini retail world that is well worth discovering.

The city’s old flea market, known as the “Encants vells” or Fira de Bellcaire, moved to the other side of the Plaça de les Glòries in September 2013. It now stands on a triangular site between Carrer Castillejos and Avinguda Meridiana. It is housed under a giant aluminium and zinc pergola with a mirrored ceiling that provides shelter for the hundreds of stalls and reflects the kaleidoscope of goods for sale and curious shoppers below.

The new ultramodern, open-sided structure is set out on different levels and embodies the authentic spirit of a second-hand, open-air market. The vendors’ cries, the art of haggling and the stalls piled high with the most unexpected objects leave no room for nostalgia.

For collectors and bargain-hunters looking for the best price, the “Encants” offer a whole host of good buys. Antique furniture and tools, old books and records, second-hand clothing and accessories in the purest vintage style, intermingle with all kinds of goods, from antiques to the latest in lighting, taps and electrical gadgets. The bars and restaurants around the market are the perfect complement to the bustling atmosphere and give you a glimpse of the real Barcelona which knows how to blend tradition and modernity.

A fabulous mega market in the open street, this flea market has it all.

Suggested duration 2-3 hours

Glòries square (Plaça de les Glòries) was supposed to be the city center in Ildefons Cerdà urban plan for Barcelona (the one that originated the Eixample district). This idea didn’t work quite well and for a long time it was relegated to a secondary status.

Nonetheless, this plans have realized many decades later, as the whole is finally coming alive with extensive shopping areas, iconic Glòries Tower and the Design Hub Barcelona (Museum of Design).

Recent efforts to revitalize the area have succeeded with the construction of Glòries Tower, the National Catalonia Theater, the Barcelona Design Center and the new venue for the Encants Vells Market.

Glories Barcelona Shopping Center is the main leisure area in the square. It’s one of the best places for shopping in Barcelona.

Also, it features some large department stores, and the regular Spanish and International fashion boutiques, children’s playcenter, a gym, a cinema, and several restaurants as well as coffee houses.

L’Auditori of Barcelona is the home of the Barcelona Symphony Orchestra, and the Barcelona wind band. Once inside, it is a beautiful building despite the very austere exterior. Friendly staff, and high quality performances of a wide range of classical music. Location is not easy – it’s not on the “tourist trail”, but if you are interested in classical music, check the excellent website and book in advance of your visit to Barcelona.

L’Auditori, which is located in the Eixample, covers a surface area of 42,000m2 and is one of Barcelona’s premier music venues. The wood-lined main auditorium, the Sala Pau Casals, can seat 2,340 people and has exceptional acoustics which can be experienced as you enjoy a wide variety of musical styles, from symphonic music to rock and the works of singer-songwriters. It is located next to the Museum of Music of Barcelona.

The concert hall complex, L’Auditori, was designed by Rafael Moneo, one of the world’s most renowned architects, It opened in 1999 and since then has become a focus for Barcelona’s musical life in the spheres of education, teaching and research. L’Auditori has three concert halls with impeccable acoustics, each of them named after a Catalan musician: the symphony hall, the Sala Pau Casals, seating 2,340 people; the Sala Oriol Martorell, seating 600, and the Sala Tete Montoliu, seating 400. The complex also houses the Museu de la Música, the music school, the Escola Superior de Música de Catalunya (ESMUC) and is the premises of the Orquestra Simfònica de Barcelona i Nacional de Catalunya (OBC). All these spaces are set out around a central courtyard which contains one of the true gems of the building: the monumental cubic lantern made of glass and decorated with striped paintings by Pablo Palazuelo.

L’Auditori is the venue for the Barcelona Festival of Contemporary Music, and hosts seasons of symphonic, chamber, early, world, choral and modern music. It also runs educational programmes, provides support for young artists, and brings music to the most disadvantaged members of the community.

Carrer de Lepant, 150, 08013 Barcelona, Spain

https://www.auditori.cat/

There are a handful of buildings which have come to define the Barcelona skyline: the Sagrada Família, the W Hotel, the carousel of Mount Tibidabo – and the Barcelona Agbar Tower (Torre Agbar). Designed by French architect Jean Nouvel, it is a symbol of Barcelona’s modern face and the urban renewal of the Poblenou neighbourhood, to which it marks the gateway.

Torre Agbar was inaugurated on September 16, 2005 and is one of the new landmarks of Barcelona. It was designed by architect Jean Nouvel. Its shape simulates constant pressure and a stable jet of water, which is an ideal image for a water company headquarters. Due to its special shape, we must add the lighting effects it produces, and give it colors, thus triggering the entire night performance.

The skyscraper has 34 floors and 142 meters high, which makes it one of the tallest buildings in the city, has 4,500 windows and cannot be visited, because it serves as an office building, although you can visit the hall.

The Barcelona Agbar Tower, also known as the Torre Glòries, is a skyscraper located in the Poblenou neighborhood of Barcelona, Spain. It was designed by French architect Jean Nouvel in collaboration with the Spanish firm b720 Arquitectos, and was completed in 2005.

The tower stands at 144 meters (472 feet) tall, and has a unique shape that has been compared to a geyser or a bullet. It is made up of 38 floors, which include offices, a conference center, and a panoramic restaurant on the top floor. The building is covered in a facade of 40,000 aluminum and glass panels, which can change color depending on the light and time of day.

One of the most distinctive features of the Agbar Tower is its lighting system, which illuminates the building at night with a variety of colors and patterns. The tower has become an iconic symbol of Barcelona’s modern architecture, and is considered one of the most important landmarks of the city.

Lighting of the Agbar Tower

what happens to the agbar tower at night?

The luminous devices are distributed by more than 100 units per floor. These elements are panels with 18 lighting points, called LEDs, which stand for light-emitting diodes. Each LED has 255 different intensities, which have the capacity to give more than 16 million colors to the new building, using only 10% of the energy that a traditional system would need.

The central control is a large server that receives 20,000 signals, light, air conditioning, valve management, etc. Each of the luminaires has its own cable. This allows you to play with the changes in color and intensity, in such a way that it can be used as an immense screen, where each luminaire would be a pixel, allowing you to create any type of drawing or combination of colors in the tower.

The lighting of the Agbar Tower is one of its most striking features, and has become an iconic part of the Barcelona skyline. The tower is equipped with more than 4,500 LED devices, which are controlled by a computer system that allows for a wide range of colors and patterns.

The lighting system was designed by the lighting firm Artec3 Studio, and was inspired by the work of Catalan architect Antoni Gaudí. The colors and patterns are meant to evoke the natural elements of water, earth, and fire, and to reflect the cultural and artistic traditions of Barcelona.

The lighting of the tower is programmed to change throughout the night, with different colors and patterns representing different times of day and events. For example, the tower may be illuminated in red and yellow, the colors of the Catalan flag, during important cultural or sporting events. The lighting can also be used to convey messages, such as the tower being illuminated in blue to raise awareness of World Autism Awareness Day.

The lighting of the Agbar Tower has won numerous awards for its innovative design and energy efficiency, and has become a symbol of Barcelona’s commitment to sustainable and creative urban development.

How to get to the Agbar tower

By transport:

Metro: Glòries (Line 1)

Bus: 7, 56, 60, 92, 192, B21, N-0, N2 and N7

Tram: Glòries (T4 and T5)

The Agbar Tower is located in the Poblenou neighborhood of Barcelona, which is known for its mix of historic and modern architecture, as well as its lively cultural scene. Here are some of the other attractions and landmarks that are located near the Agbar Tower:

• Poblenou Cemetery: This historic cemetery is located just a few blocks from the Agbar Tower, and is the final resting place of many notable figures from Barcelona’s history.
• Parc del Centre del Poblenou: This park is located just across the street from the Agbar Tower, and offers a peaceful oasis in the midst of the bustling city. It features a large pond, walking paths, and a playground.
• Els Encants Vells: This famous flea market is located about a 10-minute walk from the Agbar Tower, and is one of the oldest and largest markets of its kind in Europe. It offers a wide variety of goods, from antiques to clothing to electronics.
• Barcelona Design Museum: This museum is located about a 20-minute walk from the Agbar Tower, and is dedicated to the history and evolution of design in Catalonia and Spain. It features a collection of over 70,000 objects, including furniture, fashion, and graphic design.
• Sagrada Familia: This iconic basilica is located about a 15-minute drive from the Agbar Tower, and is one of the most famous landmarks in Barcelona. It was designed by the renowned architect Antoni Gaudí, and is a must-see for anyone interested in modernist architecture.

Lighting schedule of the Agbar tower

Winter: from 8:00 p.m. to 11:00 p.m.
Summer from 9:00 p.m. to 12:00 p.m.
Only Fridays, Saturdays and Sundays both in winter and in summer.

Torre Glòries tickets

https://www.miradortorreglories.com/en/plan-your-visit/buy-tickets/

what is the agbar tower used for?

The Agbar Tower, also known as the Torre Glòries, is primarily used as an office building and conference center. It is home to a variety of companies and organizations, including multinational corporations and local startups.

The tower has a total of 38 floors, which are used for offices, meeting rooms, and conference spaces. The top floor of the tower features a panoramic restaurant, which offers stunning views of the city and has become a popular destination for business lunches and special events.

In addition to its commercial uses, the Agbar Tower is also an important symbol of Barcelona’s modern architecture and urban development. Its innovative design and use of sustainable technologies have won numerous awards and accolades, and it has become a landmark of the city’s skyline.

The tower also has a cultural and social role in the city, serving as a meeting point for events and gatherings. It has hosted concerts, art exhibitions, and other cultural events, and its lighting system has become a popular attraction for tourists and locals alike.

Agbar Group

The Agbar Group is a Spanish holding company that is primarily involved in the management of water resources and services. The company was founded in 1867 in Barcelona, and has since expanded to become one of the largest water management companies in the world.

The Agbar Group is responsible for the management of water resources and services in many parts of Spain, including the cities of Barcelona and Madrid. It is also involved in water management projects in other countries, including Chile, Mexico, and Peru.

In addition to its water management activities, the Agbar Group is also involved in other businesses, including waste management, renewable energy, and technology services. The group is committed to sustainable and socially responsible business practices, and has been recognized for its efforts in environmental protection and social development.

The Agbar Group is the owner of the Agbar Tower, also known as the Torre Glòries, in Barcelona. The tower serves as the company’s headquarters, and has become an iconic symbol of the group’s commitment to innovation and sustainable development.

The ownership of Torre Glòries, also known as Agbar Tower, has changed hands several times since it was first constructed.

The tower was originally built by the Agbar Group, a Spanish holding company that is primarily involved in the management of water resources and services. In 2010, the tower was sold to the multinational real estate company Merlin Properties, which is based in Spain.

In 2019, the ownership of the tower changed hands once again when Merlin Properties sold it to the German real estate firm, Deka Immobilien. The tower remains an iconic symbol of Barcelona’s modern architecture and urban development, and continues to be an important landmark in the city’s skyline.

Park Güell is an iconic space in the city of Barcelona, declared UNESCO World Heritage Site which receives a large numbers of visitors each day. Regulating the entry ensures the conservation and maintenance of the monumental heritage, and guarantees a safe visit for neighbors as well as other visitors in the current post health crisis scenario. The Park is open all the year round.

The Palau de la Música Catalana (Palace of Catalan Music) is a concert hall in Barcelona, Spain. It was built between 1905 and 1908 and is considered one of the most important works of Catalan Modernism. The building’s design, by the architect Lluís Domènech i Montaner, is characterized by its use of light and color, and is considered a masterpiece of Art Nouveau architecture.

The interior of the Palau de la Música Catalana is just as stunning as its exterior, with a variety of ornate details including stained glass windows, intricate tile work, and a grand staircase. The concert hall has a capacity of 2,000 people and is home to the Orfeó Català, a choral society that has been active in Barcelona since the late 19th century.

Visitors to the Palau de la Música Catalana can take a guided tour of the building, which provides an opportunity to admire its architecture and learn about its history. The palace is also used for concerts and events, making it a vibrant cultural center in the heart of Barcelona.

visit Palace of Catalan Music

Visiting the Palau de la Música Catalana is a must-do for anyone interested in architecture, music, or the cultural heritage of Barcelona. Here’s how to visit the Palace of Catalan Music:

1. Book a tour: Guided tours of the Palau de la Música Catalana are available, which typically last around an hour and provide a comprehensive overview of the building’s history and architecture. You can book a tour in advance through the official website or on the day of your visit.
2. Attend a concert: The Palau de la Música Catalana is still an active concert hall, and visitors can attend performances of classical music, jazz, or flamenco. Check the schedule of concerts and events on the official website to see what’s happening during your visit.
3. Opening hours: The Palau de la Música Catalana is open to visitors from Monday to Sunday, with tours available at various times throughout the day. Check the official website for the latest information on opening hours and tour schedules.
4. Location: The Palau de la Música Catalana is located in the heart of Barcelona, near the historic Gothic Quarter. The closest metro station is Urquinaona.
5. Ticket prices: Prices for tours and concerts vary depending on the type of ticket and the time of day. Check the official website for the latest information on prices and special offers.

Visiting the Palace of Catalan Music is a unique and memorable experience that offers a glimpse into the rich cultural heritage of Barcelona.

The Arch of Triomph of Barcelona, also known as the Arc de Triomf, is a monumental arch located in the Ciutadella Park of Barcelona, Spain. It was built as the main entrance to the 1888 Barcelona World Fair and is considered a landmark of the city. The arch is made of red brick and has a distinctive horseshoe shape, with a height of 26 meters and a width of 20 meters. It is adorned with intricate details, including sculptures and reliefs, and is considered a masterpiece of Catalan modernism. The Arch of Triumph of Barcelona is a popular tourist attraction and is often used as a symbol of the city. It is also a popular gathering place for local residents and visitors, and is used as the starting point for various cultural and recreational events.

The Arc de Triomf in Barcelona, Spain, was built as the main entrance to the 1888 Barcelona World Fair. It is a triumphal arch located at the end of Passeig de Lluís Companys and is considered one of the most important symbols of the city. The arch is made of red brick and is adorned with intricate carvings and sculptures, including allegorical figures representing Catalonia and the other Spanish regions, as well as scenes from Catalan history and mythology. After the World Fair, the arch was used as the main entrance to the Ciutadella Park, which was built on the site of the fair. In the years that followed, it became an important symbol of the city and was used as a backdrop for various political and cultural events. Today, the Arc de Triomf is one of the most popular tourist attractions in Barcelona and is considered an important part of the city’s cultural heritage.

Visit Arch of triomph

The Arc de Triomf in Barcelona, Spain, is easily accessible by public transportation. The following are the different ways you can arrive at the arch:

1. By Metro: The closest metro station to the Arc de Triomf is Arc de Triomf station, which is located on Line 1 (Red Line). From there, it is just a short walk to the arch.
2. By Bus: There are several bus lines that serve the area around the Arc de Triomf, including the H16, V21, and V27.
3. By Bicycle: There are several bike rental stations near the arch, and the area is well-connected by bike lanes.
4. By Foot: The Arc de Triomf is located in a pedestrian-friendly area and is within walking distance of many of Barcelona’s main tourist attractions.

No matter how you choose to arrive, the Arc de Triomf is well-signposted and easy to find. The area is also well-served by taxis, so you can take a taxi if you prefer.